Johannes Schleiermacher - ts Oliver Roth - fl Jens Kristian Bang - tb Daniel Glatzel - ts, bcl, cl |
JJ Whitefield - gui Kalle Zeier - gui Thomas Myland - keys Wolfram Blechner - perc Bernd Oezsevim - dr |
Woima Collective follow up their first album with
their Frou Frou Rokko LP, and delve even further into the African
rhythms that inspire them. Building on the ground work that Woima
Collective's debut LP Tezeta laid down, this collection of tracks
goes even deeper to exploring the interlocking crossrhythms that
abound on the African continent. That's not just a figure of speech:
many of the songs were composed while band leader Johannes
Schleiermacher traveled Africa over three months last year. Passing
through Morocco, Mali, and Senegal, Johannes discovered many new
grooves and dance moves on his journey, which have all played their
part in the developing Woima sound. The title Frou Frou Rokko comes
from Johannes' Bamako base, a friendly community house. "The people
are very hospitable, and because I came as a musician, I had a very
good connection with them. Then when I played with them, it just got
better. They were really happy when I adapted to their style, and
they loved it when I caught some phrases of theirs!" Johannes
explored new rhythms as he went, using them as inspiration to create
his own grooves. "For me, the groove's the most important thing," he
insists. "Melodies are always pushing the tracks forward, but the
groove is what gets you in the mood! The music in Mali often has no
climax, it can go on for a very long time, repeating yet it doesn't
get boring. It's a different approach to what we might be used to in
Europe. I think you can hear those longer, more hypnotic influences
on this record." Some of the tracks are dedicated to specific
events, like the song that Johannes wrote while he was dosedup on
Malaria medicine, or Brain Clear Heart, about the incurable romantic
he met on the border to Senegal, who dreamt of all cultures around
the world playing music together. The lineup is almost exactly the
same as the previous album, with a couple of extra guests for good
measure. Also the band had some time to play around with the new
material before recording at Berlin's Lovelight facility a luxury
they weren't afforded on the first LP. Combine this extra testing
time with the fact that the band have settled into their own skin,
and the result is a lot more open, with longer solos and improvised
passages. Upfront, yet stretched out, Woima Collective have put
another twist on their modern day africaninfluenced ensemble, and
dive even further into their own sound.